Aidyn Zeynalov is a Russian artist with a strong bond with Italy, more in detail Tuscany and Florence where he has studied and lived for a long time.
His sculptures reflects the impact of the Italian culture and cultural heritage, but he was able to mix these elements in a new and original form, creating sculpture that are both recognizable and mysterious
Aidyn Zeinalov was born in 1978 in Moscow and he studied a the Russian Academy of Arts (creative workshops under the guidance of sculptor Vladimir Tsigal).
Aidyn is an Associate Professor of the Department of Academic Drawing at Moscow State Stroganov Academy of Industrial and Applied Arts, Corresponding Member of Russian Academy of Arts,
Full Member (academician) of Russian Academy of Arts, He was awarded with Gold Medal of the Russian Academy of Arts (2001).
Aidyn Zeynalov is a Founder and Director of the Foundation for Support of Scientific and Educational Activities "Institute for Interdisciplinary Studies" INTER-ESSE "(2011).
2001 Sculptures "Girl with a pot" and "Hairdresser". Moscow Museum of Modern Art (permanent exhibition). Russia Moscow.
Many monumental works were created by Aidyn for our country, in 2016 "The Image of Tuscany"was unveiling in Forte dei Marmi, Italy. In the same year a Monument to Giacomo Puccini took place in Montecatini Terme after the famous monument to Giuseppe Verdi of 2015.
The sculpture of Aydyn Zeinalov unfolds in a duality of inspirations and emotions.
The great sculpture of the past, Italian in particular, of Marini and Manzù is enriched by an even more dynamic modelling of portraits that are exceedingly contemporary in their poses and the situations portrayed. East and West, which reflect the life and study experiences of this artist from the Egypt of the pharaohs where he has lived his family since childhood, alternate with splendid references to Indo-Persian art, the Italian Renaissance, and socialist realism.
The perturbing faces of the Aydyn’s Bathers and Swimmers, with detailed and diverse physiognomies, flowery swim caps, knotted bathing suits, goggles and flippers, remain perfectly still, frozen in their actions like inhabitants of an ancient city surprised by a volcanic eruption. Like photographs from the new digital era, they are enveloped by great vitality, coming alive before the curious public despite their silence, which they seem to maintain to better listen to the spectator.
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